Sorry but this item is currently unavailable.
Please check back at a later stage.
This furoshiki is 100% cotton and is approx. 90cm x 90cm(35.4” x 35.4”). It would make a stunning wall hanging, as it's based on a print by the renowned American woodblock print artist Clifton Karhu. It features a weeping willow('yanagi' in Japanese) with a view of the Kamo River and the Pontocho district beyond it.
Mr. Karhu was born in Minnesota but spent most of his life in Japan, where he lived from 1955 until he passed away in 2007.
I have also other furoshiki based on Mr. Karhu’s work-please use his name to search items withn my store and they will appear.
This beautiful furoshiki can be hung without any backing with small nails, tacks, etc., or with simple wooden dowels that you can get at a local hardware store, where they might also drill holes in one dowel for you if you inquire so that you can run a simple cord through it.
It also displays wonderfully when stretched on a frame, as you would mount a painting. In fact, when I first saw this furoshiki at Mr. Karhu’s studio, he was displaying it this way, and I was struck by how well suited his furoshiki are to this type of presentation-their size and texture add an extra dimension to the beauty of the original prints.
It can also be used as a tablecloth, or as the focal point in a quilting project-let your imagination be your guide!
Please note that this is not an original print, it is not rendered on paper, it is not hand signed and numbered, nor is it a limited edition, as a collectible print is. If you are looking for a standard print as an investment grade collectible, this is not what you're after.
This is a cotton furoshiki cloth that Mr. Karhu’s studio here in Kyoto has approved and licensed. It lives up to his high standards in both the quality of the cotton, which has a good weight and a rich texture to it, and the superior craftsmanship in the printing, which lives up to the care and attention to detail that went into in his prints.
Mr. Karhu made a name for himself among contemporary woodblock print fans around the world over the course of his many years in Kyoto. In his work I see the traditional Kyoto that I love, and the bold colors and distinct lines that characterize his work lend a fresh vibrancy and boldness to familiar scenes.
He was a rare artist in that he mastered each aspect of the process of making woodblock prints, from the initial sketch, to carving the wood blocks, to making the prints. Traditionally these steps were carried out by different craftsmen, each a specialist. It's a time consuming, exacting succession of tasks, and he cut no corners. These furoshiki are made in the same spirit, and actually with the same kind of technique. First, a photo was taken of the print and enlarged. Then a stencil was cut, and the stencil was used to hand print these wonderful works of art in Kyoto with Mr. Karhu’s permission.